The hiatus in this blog came to an end as we packed up and moved from Cambridge back to the old haunts in Connecticut—to the home we’d lived in for 13 years. Yes, the real estate market has been sour, but if there hadn’t been bad news in trying to sell our house there’d have been no news at all.
Till this past few days. We think we have a buyer and that we'll be moving on by summertime. More on that later, but in the meantime I realized I’d been rather prolific in writing over the past year. Must’ve been due to being cloistered in a 20th-floor apartment in a strange city. Breaking news: “The Case of the Checkered Murder,” a satire, will be carried by MysteryAuthors.com next month. A murder mystery surrounding my Newark detective, called “The Bone Yard” will appear in Big Pulp in June, and “Paper Cut” will be carried by them in 2009.
Maybe being circumscribed by four walls with little to do was good for me. Maybe it was good for Rodolfo in La Boheme. It’s the starving artist syndrome—although I’ve been poor and rich is better. Being accepted by editors is best for the soul, however.
Cruising the Green of Second Avenue
What’s a friend for if not to make you feel good, eh? A very early (1959 or so) friend just wrote, “Indeed, let me tell you how much I enjoyed reading your short stories” in Cruisng the Green of Second Avenue. (Okay, commercial break: take a moment and click on http://www.wildchildpublishing.com/index.php?main_page=index&cPath=74&zenid=ff94c21f95111b27e8b7210244ac97a3.)
Now, that is really nice, first, because many friends have promised to buy the book since it was published a year ago, but the royalties don’t even approach the number of commitments I’ve gotten. Second, he not only bought the book, he read it. “I really admire your talent,” he wrote, “to recreate and invent those most improbable situations and these wonderful characters who resurface รก la Faulkner from place to place, smoking (as I used to) Picayune cigarettes or needing to hide their tattoos. Your surprising codas or abrupt plots turning around as in the “Sound of Music” with la belle Ellen Schuster or the hermaphrodite-assumed son of the forger-embezzeler Carl [“The Man Who Put the Sin in Cynic”] give the reader a deserved kick in the pants. Notice I am practicing compound nouns preparing myself for Germany. It’s a delight to “se promener, oder spazieren” in the company of Anderson (a nasty but correct portrait of the Lit Prof in “Donna and the Love Contract”) with his verbal duels. (Once I bought the same sheets at Conran’s and for the same purpose), or Klein the biker and his practical jokes [in “Klein Comes Back Abashed”], the precocious Benny Three Sticks [“The Kid’s Got Smarts”] in remembrance of J.D. Salinger to whom you introduced me in 1959.
Ah, mon vieux ami, you made me go back and read “Astroturfing Benjamin’s Books” the eighth story in Vol. I. And here I am astroturfing my own book, reality imitating art. Thank you for bringing a ray of sunshine into this snowy, overcast January day!
Now, that is really nice, first, because many friends have promised to buy the book since it was published a year ago, but the royalties don’t even approach the number of commitments I’ve gotten. Second, he not only bought the book, he read it. “I really admire your talent,” he wrote, “to recreate and invent those most improbable situations and these wonderful characters who resurface รก la Faulkner from place to place, smoking (as I used to) Picayune cigarettes or needing to hide their tattoos. Your surprising codas or abrupt plots turning around as in the “Sound of Music” with la belle Ellen Schuster or the hermaphrodite-assumed son of the forger-embezzeler Carl [“The Man Who Put the Sin in Cynic”] give the reader a deserved kick in the pants. Notice I am practicing compound nouns preparing myself for Germany. It’s a delight to “se promener, oder spazieren” in the company of Anderson (a nasty but correct portrait of the Lit Prof in “Donna and the Love Contract”) with his verbal duels. (Once I bought the same sheets at Conran’s and for the same purpose), or Klein the biker and his practical jokes [in “Klein Comes Back Abashed”], the precocious Benny Three Sticks [“The Kid’s Got Smarts”] in remembrance of J.D. Salinger to whom you introduced me in 1959.
Ah, mon vieux ami, you made me go back and read “Astroturfing Benjamin’s Books” the eighth story in Vol. I. And here I am astroturfing my own book, reality imitating art. Thank you for bringing a ray of sunshine into this snowy, overcast January day!
Sunday, May 25, 2008
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